American Renaissance: Art and Expression in the Age of Emerson and Whitman

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Contents

  1. American Renaissance: Art and Expression in the Age of Emerson and Whitman
  2. UoN Library | University Library
  3. F. O. Matthiessen
  4. Art and Expression in the Age of Emerson and Whitman

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Please enter your name. The E-mail message field is required. Please enter the message. Please verify that you are not a robot. Would you also like to submit a review for this item? You already recently rated this item. Your rating has been recorded. Write a review Rate this item: 1 2 3 4 5. Preview this item Preview this item. Centering his discussion around five of its literary giants--Emerson, Thoreau, Hawthorne, Melville, and Whitman--Matthiessen elucidates their conceptions of nature and the function of literature, and the extent to which these were realized in their writings.

The breadth of the book lies in the author's use of the five-year period from to as a focal point in interpreting what went before and what followed in the development of our prose and poetry. Read more Find a copy online Links to this item opac. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Francis Otto , American renaissance; art and expression in the age of Emerson and Whitman.

London, New York [etc. American Renaissance has taken its place as the definitive treatment of that most distinguished age of our literature. Reviews Editorial reviews. Publisher Synopsis "[Matthiessen's] exploration of the haunted mind of Hawthorne, of Emerson's integrity, of the mental hell in which Melville lived, of Whitman's schizophrenia, of Thoreau's chosen solitude, [has] produced a book unequaled in American critical writing.

American Renaissance: Art and Expression in the Age of Emerson and Whitman

User-contributed reviews Add a review and share your thoughts with other readers. Be the first. Add a review and share your thoughts with other readers. Whitman, Walt, -- Howells, William Dean, -- -- Criticism and interpretation. Includes: Illustrations, Portraits. American Renaissance F. Matthiessen Oxford University Press.

Used - Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. Oxford University Press, Very good condition with text clean and binding sound without dust jacket. Seller: J. Hood, Booksellers, inc. Published: Condition: Very good condition with text clean and binding sound without dust jacket. O Oxford University Press, O Good. Hardcover with DJ, name plate on first page, 9th impression New York: Oxford University Press, Sixth printing. Blue cloth with light blue stripes, with gilt spine and cover titles.

UoN Library | University Library

No names or marks. Illustrated dust-jacket is chipped and edge worn. Matthiessen Oxford University Press, December Paper Back. Hardcover with DJ. Covers show very minor shelf wear. Dust jacket shows edge wear.

F. O. Matthiessen

American Renaissance f. Oxford: Oxford Univ Press, pages. The pages are tanned.. Size D: 7"-8" Tall mm. This book has soft covers. With usual stamps and markings, In poor condition, suitable as a reading copy. Covers taped on. Seller: Anybook Ltd Published: Disclaimer:A copy that has been read, but remains in clean condition.


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  • American Renaissance Art and Expression in the Age of Emerson and Whitman, First Edition - AbeBooks?

All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. The dust jacket is missing. American Renaissance Matthiessen, F. This book has hardback covers.

In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,grams, ISBN:. Seller: books4u31 Published: Condition: Acceptable. Matthiessen Oxford University Press, January Good Hardcover with Good Dustjacket.

Not quite yet the aged, paunchy, gouty, balding raconteur of the American Revolution, but rather only the slightly paunchy, slightly gouty, slightly balding raconteur of middle-age, Franklin examined the data concerning the births, immigration, and quality of life in the English colonies by contrast to Great Britain.

For the scientist and statesman, such magnitude implied inevitable conclusions about empire.

Art and Expression in the Age of Emerson and Whitman

Whereas London and Manchester were fetid, crowded, stinking, chaotic, and over-populated, Philadelphia and Boston were expansive, fresh, and had room to breathe. In Britain land was at a premium, but in America there was the seemingly limitless expanse stretching towards an unimaginable West which was, of course, already populated by people.

It can seem arbitrary that the supreme Anglophiles Henry James and T. Eliot are technically Americans, and their British counterparts W. Auden and Dylan Thomas can seem so fervently Yankee. By such logic, if Dante was an Italian writer, Jean-Jacques Rousseau a French one, and Franz Kafka a German author, then it was because those were the languages in which they wrote, despite them respectively being Swiss, Czech, and Florentine.

Americans, however, largely speak in the tongue of the country that once held dominion over the thin sliver of land that stretched from Maine to Georgia, and as far west as the Alleghenies.

But what happens when that language is shared by two separate armies and navies? To what nation does the resultant literature then belong? Yeats alongside Gerard Manley Hopkins and D. So unprecedented and so violent was the breaking of America with Britain, it did after all signal the end of the first British Empire, and so conscious was the construction of a new national identity in the following century, that it seems inevitable that these new Federalists would also declare an independence for American literature.

Whose American Renaissance?

Rather, the intellectual class turned towards literature itself to distinguish America from Britain, seeing in the establishment of writers who surpassed Geoffrey Chaucer or Shakespeare a national salvation.